What makes you uniquely you…

I’ve been thinking about acting lately. And I do mean acting, not theatre – if you know me, that distinction matters. And there’s a couple of reasons why it’s suddenly in my thoughts again…

A long time ago I acted – I sort of blogged about it, last year. And I loved it. Passionately! At the time I couldn’t imagine doing anything else. So I moved to LA, like all good little actresses do. And then like so many before me, I got overwhelmed with the whole earning a living thing, so I decided to move back to San Diego and study photography, so that I could learn to shoot actors headshots. It seemed like the perfect way to earn money in Los Angeles – much better than being a waitress! I fully intended to move back to LA and get back to acting, but a funny thing happened, I fell in love with photography. I especially grew to love fine art photography. So I kept waitressing, and went to school and spent long hours in the darkroom. I didn’t ever say, “I’m done with acting!” – it just sort of happened. Over time I stopped being an actor, and became a photographer.

So cut to today, and I’m planning to move back to LA in the next few months – my photography is pulling me there. It’s just the natural progression for my career and where I want to go as an artist. I’m really excited about the things I’ve got planned for later this year – it’s going to be amazing!

But somewhere in the swirl of all the excitement and planning, this weird little niggling desire has been rearing up lately. For some reason, moving to LA is still connected in my head to pursuing acting. Why? It’s been well over a decade since I was in that world? And the weird part is that I spent a decade doing musical theatre onstage, and less than a year pursuing TV and film, but theater isn’t tempting to me at all. That’s my past, and while the past was great, I’ve moved on. The niggling in my head is for TV and film. Why?

So all this was swirling in my head this morning – the weird niggling desire, the “Why?”, the “that’s not practical”, and the “why the hell not, if I want it.” Part of me is really enjoying the fact that something I’ve forgotten for so many years, has just suddenly popped up again. It’s proof to me that who we are is set fairly early. We may evolve and grow and find new things to love, but the part of me that was attracted to acting in the first place, still exists! I haven’t changed all that much.

So I let myself think a little further down the path, *if* I was to pursue it, and it occurred to me that I’m not very cast-able right now. I don’t look like the people on TV. I’m not a recognizable character. I don’t look like a smart businesswoman, or a loving mom, or a policewoman, or a librarian/teacher, or any of the other recognizable character types. I really am just me. And then it hit me! I never was any of those types. Even at 20 I was unique – I just didn’t see it at the time. I was always taught that a “good” actor loses him or herself in the role, and “good” actors can play lots of different kinds of roles, equally well. I still do believe that – for some actors – but for myself? Maybe not. There were only two instances where I was cast against type, and both times it was a difficult process for me to find myself in the role – and I did it – I was successful both times! But it took a lot of work.

If I’m honest, I was always much better when I played a version of myself. Aack! I mean what a horrible thing for any actor or even ex-actor to admit about themselves! But… I’m okay with it. And I think that *if* I was to pursue acting again, I would embrace that fact and not try to be a “good” actor who can play anything, and instead focus on my uniqueness and just play variations of myself.

Which brings me back to photography! I am sooooo okay with the fact that I can’t do everything. I revel in that fact! I’m very specialized, and I love it! I shoot hot rock stars, beautiful portraits, fine art, photojournalistic/documentary stories, and happy, shiny, scenic places. It’s a weird combination, but the way I do it is uniquely me. If you look at my work long enough, you see the continuity. Everything I shoot is distinctly me. I don’t shoot family portraits, I don’t shoot sports, I don’t shoot babies, I don’t shoot architecture, and the list goes on. Very few people can do everything well, and I’m definitely not one of them. But, what I do, I do well. I specialize and I’m unique, and I’m proud of it!

And here’s the big thought of the day! I firmly believe that true success is only possible if you embrace what makes you uniquely you.

I kind of doubt I’ll ever pursue acting again, as much as I loved it, the fact is I love photography more, and my passion is leading me… But you never know! And I have to admit that I love that a past love has entered my consciousness again. I didn’t miss acting, but I’m happy to have it back in my thoughts again. And if I’m embracing what makes me uniquely me, then maybe I’ll find a way to incorporate it into my current life. Like maybe I’ll shoot headshots for actors once I get to LA? It was the plan once upon a time, and maybe it will be again?

Bang Tango at the Key Club

To take my mind off the snow which is getting deeper and deeper outside, I thought I’d post a few images from last summer that have never been seen before…

The LA Guns/Faster Pussycat/Bang Tango tour came to the Key Club in West Hollywood last August, and while my main focus was on shooting LA Guns, I did get a few shots of Bang Tango and two of the opening bands. The Dogs Divine are from Chicago and Stolen Hearts is a local Los Angles band.

Bang Tango at the Key Club // Photo: Cheryl Spelts
Bang Tango at the Key Club

Bang Tango at the Key Club // Photo: Cheryl Spelts
Bang Tango

Bang Tango at the Key Club // Photo: Cheryl Spelts
Bang Tango

Bang Tango at the Key Club // Photo: Cheryl Spelts
Bang Tango

Bang Tango at the Key Club // Photo: Cheryl Spelts
Bang Tango

The Dogs Divine at the Key Club // Photo: Cheryl Spelts
The Dogs Divine

The Dogs Divine at the Key Club // Photo: Cheryl Spelts
The Dogs Divine

Stolen Hearts at the Key Club // Photo: Cheryl Spelts
Stolen Hearts

Stolen Hearts at the Key Club // Photo: Cheryl Spelts
Stolen Hearts

And if you want to see the rest of the show, go watch my slideshow of LA Guns at RBL. It’s definitely the best of the best, and my favorite part of the night! http://www.rockbandlounge.com/news/2008-08-la-guns

Yes, it’s snowing again in Idyllwild!

Idyllwild Snow // Photo: Cheryl Spelts

If you look closely you can see the snowflakes falling against the dark background of my neighbors house. It really is falling that hard and fast – about a foot of snow so far – and more predicted tonight and tomorrow.

It’s beautiful, and I’m warm and cozy inside, so I can’t really complain, but I’m definitely ready for a long hot summer!

Australian Accents & Australian Slang

About a month ago I met an Australian at a party – I love Australians, and it seems like I tend to run into more that my fair share of them – I think I’m drawn to them? Something about their accents, and their sunshiny, laid-back nature, and, well… their accents! When I was in junior high I decided I wanted to move to Australia when I was old enough – just for a year – so I could get an accent like Olivia Newton-John. I could listen for hours, if someone from Australia is talking. Seriously!

So anyway, I met this Australian at a party, and I was telling a story about some guy and he made a comment about how maybe I just needed to spoon with this guy. And I cocked my head to one side and said, “what?” and he said, “Oh, don’t you say that here?” and I just looked at him blankly, unsure of what he meant, and so he launched into a description of spooning, as in laying in bed, side by side, and I laughed and said, “Oh, yeah! Of course! I thought you meant something else” and he laughed. And I felt like a dork, but it was all good.

I mean, the colloquialisms and slang can be so different! Hollywood and the movies are the great equalizer, and they spread the latest/coolest/dorkiest slang all over the world, but still there are differences, and I love comparing and sharing all that with my friends in other countries. It’s fun! And this guy agreed, and we were trying to come up with examples, and I swear the only one I could come up with was “to root” – and I mean really! Here, to root for someone means to hope they do well, but in Australia its slang for having sex.

Why on earth was that the only example I could come up with? And still, here it is a month later, and still I can’t come up with any others? I know there are other funny examples, and I know I’ve discussed them with friends and laughed over them, But still, the only one that stuck is “to root?”

But back to Olivia Newton-John, I got to meet her last year – briefly, backstage at MTV’s Rock the Cradle. I was shooting a documentary, and she was lovely. And yeah, I’d still love to go to Australia and spend enough time there to pick up just a hint of that accent. It’s the best accent in the world, as far as I’m concerned! And hopefully I’d pick up a bit more of the slang as well…

On Specialization and Passion

I’ve been thinking a lot about specialization lately – it’s part of the natural evolution of an artist, so it’s not that unusual to think at length about it – but that doesn’t mean it isn’t still a bit scary.

There’s a new book out – which I haven’t read, but I did read the reviews! Outliers: The Story of Success by Malcolm Gladwell outlines why some people are lucky enough to live “remarkably productive and impactful lives, while so many more never reach their potential.” And he puts forth the premise that it takes 10,000 hours of practice to reach mastery of your field. Back when I was an actor I heard it took ten years, when I started studying photography I also heard ten years. Of course, everyone thinks they’ll do it faster and better, and sometimes you think you really are ahead of that curve – but now that I’m in my 13th year as a photographer, I can look back and agree that yeah, it really did take me about 10 years. I produced some amazing images in my first year – natural talent does have something to do with it! But after ten years, it was just different. Better. I’d never thought about the number of hours – but 10,000 sounds about right. That averages out to about 20 hours a week for 10 years – and that’s hours of “practice” which means hours where you were pushing yourself in some way. If you spend 20 hours doing the same thing every week you’ll get very good at that one thing!

Last week I went to a big Studio Opening in LA, and specialization kept coming up as I talked to other photographers. To be remarkable, you really do have to narrow your focus – it’s impossible to be everything to all people. And it happens naturally as you progress in your career. Certain projects elicit great passion, and others not so much, so it’s only natural to follow your bliss – right?

But what if your passion is leading you into areas that are less than profitable? And you see your peers scooping up money in buckets all around you – and the only difference is that their passion leads them into more profitable arenas? What then? Do you follow the lead of your friends and try to feel the love for something new? Or do you forge ahead on your own path, knowing that the only real success comes from passion. Think about it – if you’re like most people all your great successes in life came in areas where you felt great passion, and that passion fueled your drive, and led directly to success. It’s the natural way…

So why then do we balk at following our own path? I don’t know. I just know that at times specialization comes easy for me – I strip away anything in my life that doesn’t excite me and move me. And other times, I agonize over the next step and find it hard to take any action at all. Right now I’m in a stage of big growth – and I’m stripping away some things that no longer work for me with great glee, and holding onto other things out of fear – and it’s not over yet! After all these years I’m still narrowing my focus as an artist, and it’s scary and amazing all at the same time.

Specialization, passion, and evolution as an artist… Overthinking it can make you crazy, but sometimes a little overthinking feels good, if it helps you get back on your OWN path. You know that path? The one where your passion leads you!

My current favorite iPhone Apps

I finally found an iPhone To-Do List App that I may like for more than five minutes…

It’s called Done, and it’s very very simple, which is exactly what I wanted. Just a simple little To-Do List that’s easy to check off, and has categories of tasks. I didn’t want to assign contexts, or due dates, or anything else complicated – and I really didn’t want to have to pay a monthly fee to use it. And this is important, I wanted it to be elegant in how it worked, and look like a native iPhone App – so many of the new Apps look like the interface was designed in the dark, by a first-grader. No thanks! I wanted a simple elegant interface that fits in with everything else on my iPhone. And I think I found it! It would have been nice if it was able to sync with my MAC, and the developers claim that’s a future feature, but in the meantime it’s not a deal breaker for me.

Oh, and it’s only $.99 in the iTunes App Store. You really can’t beat that!

And while we’re talking Apps, my current favorite is Shazam. If you hear a song and want to know who the artist is, just launch Shazam, hit the Tag Now button, and and Shazam will “listen” and then deliver up not only the name of the song and artist, but also links to purchase it on iTunes, and maybe even a link to the video on YouTube. Very, very cool and you can download it for free!

My other favorite App is only of interest to photographers. It’s called PhotoCalc and I love it for the Sunrise and Sunset times! But it also has a really handy Depth of Field calculator. I can input f/1.2 with a 50mm lens, with the subject 3 feet away, and find out that my total depth of field is exactly 0.1 feet – in other words, just a little over one inch. My focus better be spot on, if I’m shooting under those conditions, and knowing exactly how narrow the depth of field, instead of just guessing, can be really helpful. I’ll admit it, most of the time I just go on instinct – I mean I know 1.2 is extremely shallow, and that in a close up portrait if the eyes are in focus, the nose will be out of focus – that’s a given. And I know that if I want the nose and lips in focus, I should back away from the subject just a little, or else go to 1.8 or 2.0. I know all that. But sometimes it’s cool to know exactly how many inches, or feet, you have. There’s also a Flash Exposure calculator and a reference section with info on the Zone System, the Sunny 16 Rule, and film types – very old school, and I like that! PhotoCalc is $2.99 and totally worth it for the Sunrise and Sunset times alone – if knowing when the light is best is as big a deal to you, as it is to me…

Hollyhock House and a Studio Opening

Yesterday was great! I had a party downtown in the evening, so I went into LA a little early and spent some time up at Hollyhock House. Designed by Frank Lloyd Wright in 1919, and built on the top of a hill in Los Feliz, it’s spectacular. The house was commissioned by an heiress named Aline Barnsdall, who was a bit of a rebel – in a good way! Her dream was to create an art complex with a couple of theaters, and studios for potters and painters and all kinds of other artisans, plus a school for her young daughter to play and learn and grow. So she bought this large hill – Olive Hill – in Eastern Hollywood, and hired Frank Lloyd Wright to design it all. Most of the project was never completed – but the main residence was – Hollyhock House, named after the design motif Wright employed throughout the house, based on Miss Barnsdall’s favorite flower.

I first discovered the house back in the early 1990’s and I’ve brought many friends to tour it over the years. It feels like this private, special place, sort of hidden away in plain site, in the middle of the city. The view of the Griffith Observatory and the Hollywood sign can’t be beat – especially if you’re on the roof of Hollyhock House. And in the other direction is all of downtown. It’s amazing at sunset.

The house itself is concrete and leaded glass and the abstracted Hollyhock motif shows up in all sorts of interesting and imaginative ways. I remember reading long ago that FLW choose olive as the main color for the house, since Olive Hill was of course covered in olive trees at the time. He intended the walls to be the color of the underside of the leaves, and the main accent to be the darker green color of the top of the leaves. It’s a beautiful thought! And the violet and the white in the leaded windows are in reference to the colors of the Hollyhock flower. Then as a further accent, the windows were rimmed in wood painted gold. In 1994 the house was damaged in the Northridge Earthquake – and I remember cracks in the walls, and scaffolding around the house for years afterward. And then as repairs were made, the city choose what I call “parks and recreation green” as the accent color for the house – you know, the bright green paint they always use on picnic benches in national parks. Almost a kelly green? Totally wrong and garish-looking on Hollyhock House. Thankfully it’s been replaced by a much more authentic olive green since then!

It had been a while since I’d been up to Hollyhock House. It’s one of my favorite places on earth and one of the all-time top ten homes in LA, and one of the top ten Frank Lloyd Wright homes – so very very special – but I realized I hadn’t been in a couple years, so I was glad when I found myself with an extra hour in LA on an unexpectedly beautiful balmy day, right at sunset. And the house hasn’t changed. It’s still the most peaceful, pleasant, blissful spot in the city. There’s also an art museum on the property and they do a lot of art education – it’s a real asset to the community. To me it’s the best part of LA – truly!

Then after Hollyhock House, I headed downtown for a friend’s BIG studio opening. I’m incredibly happy for and jealous of Rob and his girlfriend Vanessa. They’re getting to live the fantasy life of many many artists – a huge vintage loft in the old Southern California Edison building, circa 1903, in The Brewery Art Colony. It’s the kind of place you see in the movies when the character is a hip, successful artist. In fact, right after they took possession, CSI: Miami shot an episode in their space – it’s that cool!

Here’s a few links if you’re curious…
http://www.robgreer.com/blog/2009/01/los-angeles-wedding-photographer-party/
http://www.robgreer.com/blog/2008/11/csi-miami-selects-our-studio-2/

And a super cool video of the party, shot by Tony Bisson! I make a quick appearance at about the 2.5 minute mark…
http://vimeo.com/2864594

Desirous of everything at the same time…

Mad to live.

Mad to talk.

Desirous of everything at the same time.

Never saying a commonplace thing.

But burn, burn, burning…

And everyone goes “Awww!”

Sounds like a blueprint for a life worth living.

Cirrus Clouds // Photo: Cheryl Spelts

Here’s the quote…

“the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes ‘Awww!'” – Jack Kerouac, On the Road

LA Guns at Brixton South Bay, in Redondo Beach

I got to start 2009 off right with a concert!

The venue was a small club in Redondo Beach called Brixton South Bay, the band was LA Guns, and I got to meetup with some old friends and meet some new ones. It was a fun night!

It was the first time the band had played together in a couple of months, and they sounded good. I think it’s safe to say that I got a little spoiled this summer and early fall – I got to see them in concert five or six times – but that was months ago, and I guess I missed them, because I really really enjoyed the show.

This particular venue wasn’t that exciting, but it did have some cool lights, so it was a fun show to shoot. I got a shot with Marty Casey and Tracii Guns bathed in orange light from one side and violet from the other. I call that RBL light, for obvious reasons, and it’s rare to see it, but always beautiful! But my favorite shots from the night may be the solo shots of Jeremy Guns and Alec Bauer.

I used a wide angle lens almost exclusively that night – and I really pushed the colors and textures – so the images are a little different, and a little out there – but I think they’re fun!

Oh, and the poster for the event featured one of my images!

LA Guns

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl SpeltsAlec Bauer // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts

LA Guns // Photo: Cheryl Spelts
And finally four-fifths of the band in the greenroom before the show with Darryl Boyd who owns Rock-n-Roll GangStar Apparel.

Edited to Add: A pop culture blog called Icon vs. Icon, recently named LA Guns one of the top Live Acts of 2008, and they used one of my images to accompany the article. It’s a live shot from Yucaipa, back in September. I really do love to see my images turn up in the press, when I’m not expecting it. It’s like an Easter Egg Hunt!
http://www.iconvsicon.com/2008/12/27/the-best-live-performances-of-2008-revealed/